Monday, March 16, 2015

Katherine Patterson's Perfect Paragraph

I did it again. Walked into the library with a dollar in my pocket that I just had to spend on a book that I'm sure I already own. But it was in such a nice condition and had that professionally applied contact paper covering that I love.... So I gave in. That's the horrible thing about library book sales. They entice you with their $1, $2, and .50 prices. I'll never shop on Amazon or Ebay again and someday my book shelves will overflow with library castoffs.



I bought The Master Puppeteer by Katherine Patterson. Everyone knows about Bridge to Terabithia, but I haven't met very many people that have read The Master Puppeteer. It's a historical fiction set in Japan during a famine in the 18th century. I read it once as a kid, and I don't remember much. Actually, I only remember ONE paragraph. Yep. That's right. I paid a whopping fifty cents for a book because of a single paragraph. Even as a kid, I liked that paragraph so much that I memorized it instantly. In the book, 13-year-old Jiro becomes an apprentice to a Puppeteer company and at the same time, a masked man named Saburo starts stealing rice and giving it to the poor. Unfortunately, the thefts of rice inspire the nobles to strike back at the village and in the middle of all the political chaos and violence, Jiro finds out that the old, blind, Master Puppeteer is the thief Saburo. Jiro's world shatters. He locks the old man in a storage room and runs away, but not before someone from the puppet theater catches him and drags him back to the stage. Jiro's friend has disappeared and he's the only one who can do the part of the girl Akoya's feet for the "Torture of Koto" scene, a famously difficult scene to perform. Here's the paragraph. Actually, two. I'll put in the preceding paragraph to preserve the proper context:

"Jiro grasped [the hem of the Akoya's skirt] between his fingers and bent into position. Ow. Some god saved him from crying aloud as Yoshida's high clog banged into his ankle. The next second the three of them were gliding onto the stage behind the puppet. The performance of "Torture of Koto" had begun.


If he lived to be one hundred and became a master puppeteer with a theater of his own, he would never again rival the performance he gave that day. Had his concentration wavered for one instant from the performance, he would have gone to pieces, so he drove himself into the depths of it. He was like a pearl diver, leaving the world of light and air far behind, plunging toward the treasure at the bottom of the sea." pg 152

See? Wasn't that cool? I don't know if it works as well unless you read the whole book, but as a kid, I was stunned by the intensity of the description. Particularly the first line: "If he lived to be a hundred..." I still love it! If you have any favorite quotes from novels of short stories that you'd like to share, please comment below.

Friday, March 13, 2015

LDS Film Festival



Since I'm currently an intern at Cedar Fort Entertainment, for the first time ever, I got a VIP pass to an awesome event! Hopefully, I can get a VIP pass to SLC Comic Con next. This was my first time attending the LDS film festival and it was pretty fun. I met Orson Scott Card, his assistant, a bucketload of producers and novice filmmakers, and I even saw a short film about a modern day transcendentalist. That particular short film sticks in my head, not because of the talking duck (I hated the duck), but because it was so hilarious to see a young college student, bright eyed and full of promise, voluntarily starving himself and sleeping in a park so that he could learn from nature. It was ridiculous because you could see houses in the background. He wasn't far away from civilization at all. I also loved that irony of how he learns that isolating himself doesn't help anybody. He should be with his own kind and help them out. Maybe that movie was only funny for English majors who have studied Thoreau, but it was fun to watch (except for the talking duck. Maybe they just needed to change the voice of the duck. It grated on my nerves.)





Having a VIP pass means that you can hang out on the squishy couches in the VIP room and snack on the bowls of goodies. I was also happy to get a selfie with Matt Meese, my favorite actor from the TV show, Studio C. I'd still like to know how much they get paid for each episode, but he didn't say. The short film Nightblind had some AMAZING special FX, including one shot that was worked on by a guy who was involved with Guardians of the Galaxy! The director and his buddies have done seven short films in the past few years and their next goal is to make Nightblind into a feature. I spend so much time polishing my scripts that I'm jealous of the people who just go out and shoot films. I wish them the best of luck!

https://www.youtube.com/watch?v=Lz4N3w5U3DY